Studio Log : Folk Florals, and a new painting

Sketches of anemone flowers in progress.

I’ve been wanting to do more botanical and floral patterns, and have been filling my sketchbook with lots of experiments with those subjects. My usual style, sort of a magical or psychedelic realism, is above, but I’ve been pushing myself to try to develop some folk-inspired styles as well.

Funky folk floral doodle in sketchbook, surrounded by watercolor paint swatches.

These came in handy recently for Spoonflower’s Dark CottageCore challenge. I was very pleased with the result. You can see (and vote for) my entry here.

Funky folk floral doodle in sketchbook, surrounded by watercolor paint swatches.

I’ve been trying to figure out how to capture the contrast of light and shadow in large shapes, the way Charles Burchfield and Edward Hopper do in their paintings. This sketch below probably doesn’t look like much, but I was trying to understand and capture the fall of the light on the rhododendron in my back yard. I have been experimenting with Derwent Inktense blocks on Karst stone paper, and quite like the results.

Sketchbook study of light and shadows surrounding a rhododendron bush.

I decided to try to apply what I was learning to a painting. I took this botanical watercolor class on Domestika for inspiration, then began with swatching colors, before moving on to a painting of a tree frog in the rhubarb, which is still in progress. I’m want to push my paintings a little further into the realm of psychedelic or surrealism, but I don’t think I’ve got it where I want yet. I’ll share the finished painting on the next Studio Log.

Range of blue and green watercolor swatches surrounded by paint tubes, palettes and a brush.
Watercolor painting of frog in rhubarb, in progress.
Watercolor painting in early stages of progress, featuring a frog in a rhubarb patch.
 
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Yellow Butterfly Wallpaper and matching pilllows

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Creamy White Cottagecore floral: Curtains and Kitchen Linens